Posts Tagged ‘storytelling’
Here’s how you create a setting: One hour before nightfall, on a pink-and-blue evening in the third week of August, 2011 … Here’s how you create a character: a solitary man traveling on foot … Here’s how you introduce a situation: entered the small, tree-shadowed town of Clifton — an isolated village around which many […]
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Literarily, the meaning of the word plot comes from the Old-French word: complot — which means to conspire. But what actually is plot? Plot is the method by which you present your story. Plot is a vehicle. Plot is a purposeful sequence of events — and in a well-plotted story, those events all connect logically […]
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There’s a common misconception — unfortunately growing — popular among so-called commercial-fiction coaches predominantly, though not exclusively, that stories and novels have one and only one real purpose: storytelling. Which is to say, plot. Which is to say, conflict. Anything, therefore, that slows the pace of the plot — or anything that disrupts the plot […]
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He was the only child of middle-aged parents, a miner-turned-truck-driver named Neil and Neil’s wife Angela, a half Cherokee lady of rare beauty whom Joel loved with all his heart. He grew up silent, a silent child, pale and skinny but healthy. He brought coal from the shed to the stoker. He took out clinkers. […]
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Suspense, which isn’t a genre but a specific manifestation of plot, is when you can’t put the book down because you must learn what happens next. Suspense is when you’re champing at the bit. Here are five ways to keep readers in suspense: 5. Arrange your events in such a way that readers will wonder […]
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A good novel consists of four primary components, all of which interact in an interdependent and symbiotic way. Those elements are plot, character, theme, and style. (The recapitulation of theme-and-plot combined is what I call The Situation.) Of those four components, the first three are primarily concerned with subject-matter, and the last — style, which […]
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There are 32 ways to write a story, and I’ve used every one, but there’s only one plot: things are not what they seem. – Jim Thompson. Anthony Burgess was slightly less stringent on possible plots: he put the number at about five. What distinguishes one plot from another? Or, to put that question more […]
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(c)Ray Harvey 2011